(Source: justinlarosa, via anntithesis)

drawingarchitecture:

Hedvig Skjerdingstad, ‘The Archive – A Study of Recollection’, 2014.

drawingarchitecture:

Hedvig Skjerdingstad, ‘The Archive – A Study of Recollection’, 2014.
STOOPIFLY

cloudzwatching:

STOOPIFLY - Omar Ali, Michelangelo LaTona, Jaclyn Zaborski

University of Michigan (Wei-Han Vivian Lee and James Macgillivray)

This is a proposal for an urban housing complex in Harlem, New York. People seem to think it’s a joke, we just think it’s cute.



-

That description though

cloudzwatching:

Città - Chris Norton Riley

Cal Poly Pomona (Alex Pang)

The city is by nature a messy place. Throughout history, architects have attempted to take hold of the city, organize it, and give it a new, more orderly life. In the twentieth century,…

likeafieldmouse:

Thomas Demand - Exit (2000)

(via vaacuous)

likeafieldmouse:

Thomas Demand - Exit (2000)
the-gasoline-station:

Tokyo 3287
by tokyoform

2ndart:

Anacostia

(Source: mtvother, via strangevibezz)

vergen:

The Three Ages of Woman by Gustav Klimt (1905)

(via mossydog)

vergen:

The Three Ages of Woman by Gustav Klimt (1905)

archatlas:

Moritzburg Castle  Nieto Sobejano Arquitectos

"The architectural proposal emerged from an intuition that marks every posterior decision: a new roof conceived as a large, folded platform, which rises and folds to emit natural light, and from which two new exhibition spaces hang. This operation frees up the western wing from the presence of the old ruin, which allows for the re-creation of a unique large-scale space, column-free, and offering different exhibition opportunities. A new roof landscape—clad in rigid aluminum panels—establishes a dialogue between its angular geometry and the irregular volumes of the sloping roofs of the castle. The pyramidal skylights, positive and negative, express through their variations that architecture is a combinatorial art; that our task, in the end, is to find the relative position of its elements. The new intervention in the Moritzburg Castle aims at protecting the ruins that have represented it for centuries. It does so by keeping the existing building intact, and superimposing a light structure that evokes the works displayed inside."

littlelimpstiff14u2:

LARRY CARLSON, Underworld Under the Boardwalk, c-print, 66 x 55in., 2012.

(via larrycarlson)

littlelimpstiff14u2:


THE WONDERFUL WORLD OF LARRY CARLSON 



LARRY CARLSON, Underworld Under the Boardwalk, c-print, 66 x 55in., 2012.

likeafieldmouse:

John Pfahl - Smoke Series (1988-99)

(via rchtctrstdntblg)